The drawing called Beneath has become Earth Seed. I hope this mind map explains why.
Click image to see enlargement.
The drawing called Beneath has become Earth Seed. I hope this mind map explains why.
Click image to see enlargement.
I drew this mind map while thinking about creative flow. It seems to work this way for me every time. Is your flow similar?
I’m working on an “exploration” drawing. My explorations begin with a feeling or meaning and I keep drawing until I find it on the paper. In this one, I’m looking for the feeling in this series of words:
under>beneath>shelter >protected >insulated
I’m not sure where the desire to draw “under” or “beneath” came from, but it had been floating around in my mind, in one form or another, for a few weeks. I’d sketched a sprouted bulb shape over and over again without knowing why until I saw it emerge in this drawing.
In addition to exploring a feeling, this drawing works with spaces and shapes. It feels very physical when I pull the drawing out of the paper with highlights and push it back in again with shadows. Drawing like this makes me feel in tune. With everything.
FYI
WIP = Work In Progress
There’s no image of this piece to show you because I don’t have a scanner at the moment. (I’m working on that.)
It may be that I don’t have a scanner because many things about this drawing are unclear, and showing it to you would make me feel vulnerable. (I’m working on that too.)
When a fork in the river comes along, sometimes you’ve just got to point your boat at it and see where it takes you. I won’t go into all the details but the river forked, my husband I took that new direction, and all of a sudden we find ourselves moving to Buchanan, Michigan.
Buchanan is about 30 miles from where we live now and we’re in the middle of sorting through, throwing out, packing up, and moving twenty years worth of “stuff” one carload at a time.
Most of my drawing supplies are already there, but I am keeping some sketching supplies in my big “Movin’ On” bag which has become a portable office. My art is taking a backseat while I coordinate this move, and that’s ok because this whole process gives my creativity plenty of exercise.
I need to do less so that I can do more.
I’m taking this time to change a few other things too. I’ve turned off drawing class registrations until Autumn, closed my online drawing club, and designed a new look for this site that I’m working on bringing online between packing and toting sessions. If you’re a creative, you know how difficult it is to let go of projects and I really struggled with these decisions. It turned out to be exactly the right time to let go though, because I need all that energy to navigate these new waters.
Take Away: Trust the Muse
As things stand right now, I’m very busy, very stressed, very tired, very happy, very much in the flow, and that odd mix of emotions keeps me moving along at a quick pace. After all these years though, I know I can trust the Muse when she points out a new direction. Although I miss having time to make my art and write about drawing, I’ll get back to it with re-focused energy after we’re re-rooted in our new home.
To All My Friends From The Drawing Club
I miss you all very much and I hope our pencils cross again someday.
It’s best to begin manipulating key after you know how to shade reasonably well but want more control. There are several reasons why you need to know how to control value.
Alter key to:
To alter the key of a drawing in a realistic way, keep the values the same number of steps apart on the scale (gray scale), or nearly so. There’s always a little wiggle room available for artistic interpretation though.
Change the Key Of A Reference Photo
Alter a reference photo’s key in a photo editing program by adjusting the contrast to alter all the values at the same time, or use “curves” to alter shadows, mid tones, and highlights, separately.
Here are some instructions for Photoshop, but the controls should be similar in all image editing programs.
Always make a copy of the image, and work from the saved copy.
How To Adjust Contrast In Photoshop
1. Image > Adjustments > Brightness / Contrast
2. The Brightness slide makes the entire image brighter or darker.
3. The Contrast slide evens out the values at one extreme (think mud), and separates the lights from the darks by many degrees at the other extreme (think posterized).
Sometimes a small adjustment with one of these sliders is all it takes to make a good reference photo into a great one.
How To Adjust With Curves In Photoshop
1. Image > Adjustments > Curves
2. You’ll see an angled line over a grid.
3. One end on the line controls the darks, the other end controls the lights, and the middle part controls the middle values. Grab one end or the other and see what happens. (You can always put it back the way it was.) Grab the middle and bend the line into a curve, first one way and then the other, and watch what happens. (Your eyes should be sparkling with glee at the possibilities about now.)
I usually lighten the darks or the mid-values, but sometimes I lighten the highlights too if I want the image to have a contrast-y sparkle and punch.
Change the Key After The Drawing Is Done
It’s easy enough to darken values by hatching over them, but lightening them can be tricky. I try not to get into that situation by building the values slowly so I can sense what’s needed and change them as the whole drawing evolves. Art is always unpredictable though, so here are a few techniques that might work for you if you have to lighten.
1. Pinch a kneaded eraser into a big rounded shape and gently tap the area until it lightens evenly. Some people like to roll the eraser in a log shape and then roll it across the area. Either way, you’ll have to touch up after you’re done. In particular, the darkest shadows usually lighten too much and need to be re-darkened.
2. Use a clean flat brush to “lift” graphite from very dark areas. Gently flick it across the dark area and the bristles will lift and remove the graphite.
3. If area is already on the light side but needs to be even lighter, try dabbing it with a clean chamois cloth. Graphite smears easily so dab, roll, and lift — don’t pull and drag or it will smudge.
The Big IT
Value is the “IT” for graphite artists. We have to do everything with it, from creating textures to indicating mood. Your own artistic sense will give you clues about what a drawing needs, so listen closely to inner prompts and act on them. If you do, somewhere along the way you’ll learn to trust yourself and build a more surefooted and agile drawing technique.
Gray Scale Inspiration
For inspiration and ideas about how to effectively use key, look at photos by Ansel Adams, classic black and white movies, or any artwork by J. D. Hillberry and Mike Sibley.